The first or innermost ring of 24 mountains (二十四山) on a San He (三合) or Zong He (宗合) Luo Pan (罗盘) compass.
The first or innermost ring of 24 mountains (二十四山) on a San He (三合) or Zong He (宗合) Luo Pan (罗盘) compass.
The Zong He Luopan amalgamates elements from both the San He and San Yuan Luo Pan. It encompasses three 24-direction rings and a ring dedicated to the 64 hexagrams, enabling a harmonious fusion of the diverse formulas and methods from the two systems. This integration allows for a comprehensive approach to Feng Shui analysis, utilising the strengths and techniques of both San He and San Yuan schools.
Zhen (震) is one of the trigrams from the Bagua. The body part it symbolises is the lower limbs. It is linked to the familial relationship of the eldest or first son. In nature, its imagery represents thunder. The Zhen (震) trigram ☳ is described as a “face-up bowl” (仰盂). This trigram plays a significant role in understanding the dynamic and powerful forces of nature, as well as the energy associated with movement and initiation.
Yin Zai Feng Shui, also known as Grave Feng Shui (阴宅风水), is the practice of Feng Shui applied to premises or areas for the non-living, such as graveyards or cemeteries. This type of Feng Shui is believed to affect the descendants of the deceased, influencing their fortune, health, and overall well-being. It is an essential aspect of traditional Chinese metaphysics, emphasising the importance of honouring ancestors and ensuring harmonious energy flow in burial sites.
Unofficially referred to as the fifth symbol in Chinese metaphysics, the Yellow Dragon (应龙) signifies the Earth element. It symbolises the central direction and the late summer season, representing stability, balance, and the nurturing aspects of the Earth. This symbol plays a crucial role in understanding the harmonizing and grounding forces within the traditional Chinese cosmological framework.
Xun (巽) is one of the trigrams from the Bagua. The body part it symbolises is the buttocks or rear. It is linked to the familial relationship of the eldest or first daughter. In nature, its imagery represents wind. The Xun (巽) trigram ☴ is described as “broken bottom” (下断). This trigram plays a significant role in understanding the dynamic and pervasive qualities of wind, as well as its influence on movement and communication in various aspects of life.
The White Tiger (白虎) is one of the four mythical creatures known as the Four Symbols. It represents the West direction, the season of Autumn, and the Metal element. This symbol plays a significant role in Chinese metaphysics, embodying qualities of strength, courage, and protection.
The Red Phoenix (朱雀) is one of the four mythical creatures known as the Four Symbols. It represents the South direction, the season of Summer, and the Fire element. This symbol plays a significant role in Chinese metaphysics and mythology, embodying qualities of transformation, vitality, and the dynamic energy of fire.
Qian (乾) is one of the trigrams from the Bagua. The body part it symbolises is the head, and it is linked to the familial relationship of the father. In nature, its imagery represents Heaven or the sky. The Qian (乾) trigram ☰ is described as “three full lines” (三连). This trigram plays a significant role in understanding authority, leadership, and the expansive qualities of the sky in various aspects of life and the environment.
Li (离) is one of the trigrams from the Bagua. The body parts it symbolises are the eyes and heart. It is linked to the familial relationship of the middle or second daughter. In nature, its imagery represents fire. The Li (离) trigram ☲ is described as “broken middle” (中虚). This trigram plays a crucial role in understanding vision, passion, and the transformative energy of fire in various aspects of life and the environment.
Kun (坤) is one of the trigrams from the Bagua. The body part it symbolises is the torso or skin. It is linked to the familial relationship of the mother. In nature, its imagery represents the Earth. The Kun (坤) trigram ☷ is described as “six fragments” (六断). This trigram plays a crucial role in understanding nurturing, support, and the foundational aspects of life and the environment.
Kan (坎) is one of the trigrams from the Bagua. The body parts it symbolises are the ears and kidneys. It is linked to the familial relationship of the middle or second son. In nature, its imagery is water. The Kan (坎) trigram ☵ is described as “full middle” (中满). This trigram plays a significant role in understanding the flow and balance of energies in various aspects of life and the environment.
The Human Plate (人盘) is the second or middle concentric ring of 24 mountains on a San He (三合) or Zong He (宗合) Luo Pan (罗盘). This plate is crucial in Feng Shui for understanding and aligning human activities and influences with the surrounding environment, bridging the cosmic and terrestrial forces.
The Heaven Plate (天盘) is the third or outermost concentric ring of 24 mountains on a San He (三合) or Zong He (宗合) Luo Pan (罗盘). This plate plays a crucial role in Feng Shui for understanding and aligning with the cosmic and celestial influences on the environment.
Ming Gua (命卦) refers to a person’s Gua Number, which is determined based on their birthdate and gender. The Ming Gua is a fundamental concept in Feng Shui and Chinese astrology, particularly in the practice of Eight Mansions Feng Shui (Ba Zhai Feng Shui) and Flying Star Feng Shui. It plays a crucial role in understanding an individual’s compatibility with various directions and energies in their environment.
The Green Dragon (青龙) is one of the four mythical creatures known as the Four Symbols in Chinese mythology. It represents the East direction, the season of Spring, and the Wood element. The Green Dragon symbolises growth, renewal, and vitality, playing a significant role in various cultural and metaphysical contexts.
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